Podcast Contract Agreement


If you are interested in renting a studio or other room to record a podcast, which includes special equipment when making the podcast, a lease is required. Among the most important elements of a service subscription contract are: the Ad Insertion Order (or E/A) is an order issued between an advertising seller (podcaster) and a buyer (advertiser). These conditions are reinforced by two factors. The first is a lack of collective organization among podcast producers as a creative class for cultivating and imposing standards around tariffs. The second is a little stranger: the existence of alternative online services that further reduce the perceived value of work. At this point, Bergerson was referring to a recent tweet from producer Stephanie Foo, which contained a screenshot of Fiverr, in which audio freelancers demanded prizes of only $5 for editing and materializing entire episodes. A clear, comprehensive, easy-to-read and understandable contract is required in all areas of podcast activities, including the production of podcasts and the post-production part that includes the audio editing process. And the audio-fiction felt very failing. Before launching TLST, I launched The Truth with Jonathan Mitchell, and it was difficult to get public radio people on board with the broadcast of our business.

Now, fiction is a booming category in Apple podcasts. I think what really blows my head off is that podcasting has become so big that it can be parodied on SNL or the butt of a joke in an Amy Schumer movie. Note that this is general information, not legal advice, and that there is no legal and client relationship. Please contact a specialist lawyer to discuss specific legal issues regarding suppliers and contracts! We regularly monitor federal intellectual property and advertising laws for changes and regularly update our contract models. We inform you of any important legislative changes regarding your documents (such as the recent European Data Protection Act RGPD, which came into force in May 2018). If we make a major update due to a change in the law, we will send you an updated version by email. Over the past year, I have heard of an increasing number of creative audio employees who are feeling considerable anxiety about some of the contracts they have received. In many cases, they consider them at best inappropriate or, in the worst case, overly aggressive. And for the past few weeks, I`ve been trying to create a column on how producers should see, understand and work in this new context. But what is understandable is that there is a general dislike among producers, with whom I speak, to talk about their experience, their thoughts and their proposals for solutions – largely because of active negotiations and the fear of losing future opportunities.

Posted Monday, December 14th, 2020 at 9:59 pm
Filed Under Category: Uncategorized
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